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Krystle Wright is not one for staying put. The pro adventure photographer spends most of the year traveling, chasing projects across the seven continents for the likes of �����ԹϺ���, National Geographic, and The New York Times. Name a country, and chances are that Wright’s been there, shooting skiing, kayaking, surfing, climbing, diving, BASE jumping, or some other adventure.

This October,��she is spending two weeks in the western U.S. photographing a series of women athletes for a follow-up to her now famous “”��After that, it’s off to��Norway to freedive with orcas, then the Canary Islands, Wales, Antarctica, and maybe Hawaii. “Right now, my life is so confusing,” she says.��But no matter where she goes, there are a few essentials she always has on hand.

Canon EOS R Camera ($2,300)

“Typically I’ve traveled with two cameras: the 1DX MII and the 5DS R. Recently, ��has become another��staple in my kit. The smaller, lighter setup is crucial to the work I do. (I’m tired of carrying bags that are too heavy onto the plane or skiing down mountains.) And this camera has a better-rated ISO than Canon’s traditional DSLRs’, which is key since a lot of my work happens in low light.”

Canon EF 35mm f/1.4L Lens ($1,649)

“This is ��by far. It’s pin-sharp, and the fixed focal length suits my active style of shooting—since I can’t rely on a zoom, I��move myself around the situation. The 35mm offers a wide focal range, but not so wide that I lose the scale or grandeur of mountains.”

Black Rapid Breathe Sport Camera Strap ($74)

“This is a relatively new addition to my kit, as I’m always trying to find the right camera strap. has an underarm strap for added stability��and adjustable rubber bumpers to keep the camera in place as you’re moving about. There’s nothing worse than a camera bouncing into your hip bone.”

F-Stop Kashmir��($190) and Tilopa Camera Bags ($320)

“I’ve used a range of F-Stop bags for many years. At the moment, my favorite is��the . It’s small enough to carry on a plane and can fit a surprising amount of gear, enough for most shoots. If I need to go bigger, for longer trips like overnight backcountry ski adventures, the ��is my go-to.”

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Syrp Variable ND Filter��($140 and up)

“In recent years I’ve gotten��into filmmaking, and I’ve found this����great for motion work, as it’s perfect for those bright daylight situations where I need to use��slower shutter speeds and shallow depth of field. As a bonus, it isn’t��as expensive as others, which is great because I tend to trash filters often thanks to the adventurous playground I work in.”

Outdoor Research Baja Down Pullover ($250)

“I get cold easily. ��barely adds any weight to my bag, but it’s just enough to keep me warm when the weather turns a bit foul.”

Petzl��Myo��Headlamp ($100)

“Too often I get carried away with shoots and find myself walking back in the night. I’ve found ��to be a good workhorse that puts out a solid amount of light. It’s also good as a makeshift tool if I’m still shooting when the light fades.”

Bang & Olufsen H5 Headphones ($250)

“A few years ago I went to Mongolia for two months and decided to leave my music player behind to save weight. It was one of my biggest regrets. Now I always have music on my phone, and I carry ��in case I need an audio escape. Even if you like the people you’re traveling with, sometimes you just need to tune out.”