For the past two years, Squamish, B.C., photographer had been sitting on an idea: capture a skier on a slope silhouetted by a total solar eclipse. It鈥檚 a once-in-a-career opportunity for many reasons鈥攑rimarily because solar eclipses are only visible from a given location once every 200 years, on average. And seeing one can take much longer. Los Angeles, for instance, will go more than 1,500 years between total solar eclipses.
Plus, Krabbe needed his eclipse to cast above somewhere with snow and mountains鈥攁 rare combo. After researching the astronomy calendar, the 24-year-old realized he would get his chance during the March 20, 2015 eclipse, which would be visible from two places: the Faroe Islands of Denmark, and Svalbard, Norway, a mountainous archipelago in the Arctic that happens to have spectacular skiing.
鈥淭hirty seconds out, there鈥檚 this insane shimmer on the snow. It鈥檚 like the place is on fire. Nothing prepared any of us for that.听鈥
Krabbe pitched his idea to , which produces the popular series. To the surprise of Switchback directors Mike Douglas and Anthony Bonello, Salomon bit on the Svalbard idea. At a cost of more than $100,000, the trip would be the most expensive in Freeski TV history. 鈥淵ou guys do understand that one cloudy day and this could be a bust?鈥 they told Salomon. 鈥淵eah,鈥 came the reply. 鈥淏ut if we get it, it could be really incredible.鈥
Bonello and Krabbe enlisted pro skiers Cody Townsend, Chris Rubens, and Brody Leven, as well as a British expat guide named Steve Lewis. The team of ten people, including filmmakers, skiers, and support staffers, spent two weeks camped on a glacier in polar bear country to get photos and footage, a process that is chronicled in 鈥淓clipse,鈥 a 31-minute film that premiered聽Wednesday at the and comes out online on聽November 10.
The group arrived in Svalbard聽on聽March 10, two weeks after the sun returned from its annual six-month absence during fall and winter. (Most skiers go in April and May when the days are longer and warmer.) They spent ten days scouting for the perfect location to capture the eclipse, a process that wore on the skiers. 鈥淚t鈥檚 hard when you鈥檙e suffering, you鈥檙e freezing your ass off and expending so much energy just to survive, and your only bastion of fun is to go skiing,鈥 Townsend says. 鈥淪o when we鈥檙e spending multiple days looking for the right terrain for this photo, you鈥檙e kind of like, this is ridiculous. It鈥檚 just one person鈥檚 goal.鈥
The team endured vicious storms on the glacier during the lead-up to the eclipse. But the morning of March 20 brought sunny skies鈥攁long with a minus-22-degree wind chill. Krabbe and Bonello positioned themselves a mile away from the skiers, who waited on an alpine ridge. For nearly an hour, the eclipse built toward its two-and-a-half-minute 鈥渢otality鈥濃攖he golden window the crew came for鈥攚hich started at exactly 11:11 a.m. Bonello called what followed 鈥渢he craziest thing I鈥檝e seen with my own eyes.鈥
鈥淯nless you have those , you can鈥檛 tell that the sun is disappearing,鈥 he says. 鈥淭hen, very quickly, [the sunlight] just starts shutting down. Thirty seconds out, there鈥檚 this insane shimmer on the snow. It鈥檚 like the place is on fire. Nothing prepared any of us for that. You can鈥檛 feel it, but it鈥檚 like this electric current all over you.鈥
Watching the film, you can鈥檛 help but grin when you hear Townsend, Rubens, and Leven hoot and holler from the top of a mountain in the middle of the Arctic, watching one of the rarest natural phenomena in the world.
鈥淥h my goodness, that was better than I thought it could鈥檝e been!鈥 Krabbe exclaims while holding his camera. 鈥淚 hope I didn鈥檛 fuck that up.鈥