In the Sundance documentary Which Way Is the Front Line From Here?, Sebastian Junger pays tribute to late war photographer Tim Hetherington, who was killed in 2011 while covering the Libyan civil war. Through interviews with colleagues, archival interviews with Hetherington, as well as footage of Hetherington in the field, Junger offers a powerful examination of what compelled the British war photographer to throw himself in the trenches throughout his 15-year career.


This is a deeply personal film for Junger, who shot the Oscar-nominated Restrepo with Hetherington in the Korengal Valley of Afghanistan. Besides Afghanistan, Junger takes you chronologically through Hetherington鈥檚 work in other war-torn regions like Sierra Leone and Liberia, where he embedded with a rebel army that was on a mission to oust President Charles Taylor.
As you watch Hetherington engage his subjects, joking with them and putting them at ease (some war photographers never even talk to their subjects), it鈥檚 clear he鈥檚 not your average adrenaline-addled, thrill-seeking war journalist. He鈥檚 not so interested in landing cover photos as he is in understanding the people he films and photographs. 鈥淗e was a person who seldom became a tourist,鈥 says his father. Or as journalist Chris Anderson puts it: 鈥淭im鈥檚 work was not about war. Tim鈥檚 work was about human nature.鈥
The film is full of such poignant insights into Hetherington鈥檚 character, but perhaps one of the most telling is offered by his girlfriend Idil Ibrahim: 鈥淲alking around with him was almost like walking around with a set of 10 eyes. He was always so inspired. I think we could go to McDonald鈥檚 and he鈥檇 probably find some kind of creative inspiration there. It was never-ending.鈥 You don鈥檛 need to watch more than 10 minutes of the film to understand what she鈥檚 talking about. Hetherington is in constant 鈥渙n鈥 mode, and his restless commitment to understanding the theater of war is nothing short of admirable.
Which Way Is the Front Line From Here?, which will air April 18 on HBO, is a celebration of a brilliant photographer and a bittersweet epilogue to a career cut too short.